Subcultures tend to latch onto celebrity recognition for inroads into popular appeal. In the chess world, “chess-playing” celebrities like Dustin Diamond and Will Smith have written forwards to study books in place of those with tournaments named after them for decades of devotion to the hobby. So has been the case with minor celebrity and “gamer” Chris Kluwe, who was punter for the Minnesota Vikings until he was thrown out of the NFL for his constant verbal abuse of managers and fellow players, and for turning the NFL into a referendum on gay marriage after the league asked him not to do so (Kluwe erroneously claims such actions violate the First Amendment – he is not a legal scholar).
Kluwe recently wrote an article called “Why GamerGaters Piss Me the Fuck Off,” which parallels so many of his other poorly written rantings and ravings, laden with juvenile potty language and self-righteous indignation towards those not as socially progressive as Kluwe. This particular screed is remarkable only because it targets one of the few groups still interested in Kluwe’s association with them, which is the gaming community. To be fair, after white millionaire Kluwe complains of “patently obvious white privilege,” he only calls “ignorant,” “slopebrowed,” and “shitgoblins” those gamers participating in an online social movement called “GamerGate,” which – to make a long story short – is a grassroots, leaderless backlash against politicization of gaming by social activists, and the collusion and corruption in gaming journalism that inevitably accompany progressivism, of which there are numerous examples. Kluwe now spends much of his days insulting gamers on Twitter and blocking the many female participants in GamerGate who challenge his Alinskyite smear campaign that the movement is a platform for misogyny.
For GamerGate, incurring Kluwe’s wrath is a reliable indication of being on the right track. Following his pattern of atrocious behavior in the NFL, Kluwe is exploiting gaming to advance a progressive agenda and assaulting the un-politicized escapist value that has made gaming meaningful for so long. Those reluctant to see gaming go the way of television and the movie industry – “exploring” the same politically correct themes over and over again – should welcome Kluwe’s ostracism (or ragequit) from the gaming community as a positive development.